A mid-vacation break from hoity-toity Paris took us to Spain on the
artistically named Franscesco de Goya, a tren-hotel bound for Madrid. We started off with Plaza
Mayor with its multitude of restaurants and masqueraders and a rather friendly
tourism office. We embarked upon one of the walking itineraries. The Calle de Arenal church with ornate brown-gold
sculptures got us started, and we walked across to the Opera and the Royal
Palace next. We followed this up with the neo- Gothic Almudena Cathedral,
taking in a bird's eye view of the city from the cathedral dome.
The influence of
Moorish and Islamic styles was evident in church architecture, with browns,
deep maroons and golds dominating the decor as against snow white marble and
elegant simplicity that is characteristic of churches in Italy and most of
France.
Puerta del Sol was next with its bear and
strawberry monument, the symbol of Madrid. We had just enough time to walk up
to the famous Prado museum before heading back to the Train Station. Madrid
struck us as a very grounded city after la
belle France. We were to see more of Spain's earthy nature at Seville,
our next port of call, in the Spanish principality of Andalusia.
The train journey
from Madrid to Seville, took us across the Castile principality to the plains of
Andalusia. The Anadalusian region was the amongst last to fall under Christian
sway, following the defeat of the Islamic rulers of Spain in the Middle Ages. Known
for its rich culture and traditions, Andalusia lost most of its Muslim legacy
in the continuous spate of warring between the two religious groups. Its vast
plains formed the setting for the famous novel The
Adventures of Don Quixote by Miguel Cervantes, a tale of an
eccentric gentleman who was so immersed
in the chivalrous-romantic traditions of the old Andalusia, that he set out on
journey filled with wholly imaginary dangers, adventures, conquests and rescues.
We reached Seville
close to 2000hrs, amidst bright sunshine. It had the look of a bustling small
town, in an endearingly unpretentious way. Not for Seville the airs of its
former status as an important harbour, or for its current status as one of the
residences of the Spanish royal family. Nor indeed, of being home to the one of the largest cathedrals in the world. The voices were louder and the accents warmer
compared to the mellow murmurs that make up the French language. The French
inhale their language in whispered music; the Spanish articulate theirs in
singsong tones with just a hint of a middle Eastern flavour.
We set out to visit
the Seville Cathedral and Alcazar Real
(Royal Palace) the following day,
through the buzzing little streets reminiscent of Venice, manoeuvring horse
carriages. The cathedral, as seemed to be the case with most in Andalusia, used
to be the site of a mosque. Following the victory of the Christian rulers, the
site of the mosque was used to build the (then) largest church. And what a
splendid church that was! Stretching
over a vast area and housing a wealth of art and sculpture in multiple chapels,
the cathedral was impressive. A recurring feature in Spanish churches is the
large wooden structure behind the altar, known as a retablo, filled with intricate carvings of Biblical themes;
Seville did not disappoint.
The Alcazar Real (Royal Palace), our next stop, was
built originally by the Islamic rulers; the decor was rather like Istanbul's Topkapi Sarayi: luscious colours, ceiling
that emulated the night sky and a profusion of gilding and Iznik tiling. The chamber dedicated to tapestries of
maritime achievements was the most remarkable, of particular interest being a
map of the world as they knew it in the 16th century, that placed Spain at the
centre of the world. And why not? Indeed, in that fledgling era of maritime
exploration, the initial triumphs were all Spain's; and the world would have
appeared to be within their grasp!
We topped off the
day with a flamenco performance at the much- raved over Los Gallos. As with everything Spanish, even their
entertainment had to have an intimate setting. Not from them the large operas
in a grand auditorium, or instruments rendering soul-stirring music. We found
ourselves in a compact little hall, packed with its full audience of 30, the
stage rising, but only just, from the seating area. There was one main singer,
the only musical instrument was a guitar, and percussion was attended to by
rhythmic, perfectly coordinated hand-clapping. And I realized that the reviewers
had not been exaggerating when they said that the dancer's trailing skirt would
sweep the front row literally off its seats! The finale of the performance was
almost like an impromptu medley, enjoyable in its spirit of spontaneity.
On the cards the
next day was a day trip to Cordoba, to its marvellous Mezquita (mosque, and hence now a church). Cordoba had all the
trappings of a tiny suburb, served as it was by a two- or maybe three- platform
train station, and an economy concentrated around the Mezquita.
The double horseshoe
shaped arches and the sheer size of the Mezquita
served to impress, as did its vast treasury of decorative arts and paintings.
The courtyard of Oranges was a fantastic place to unwind in. As an aside, if I
had to pick a fragrance or flavour to remember Spain by, it would have to be
oranges, or naranjos, as they are
called. Orange trees appeared to fill all open spaces, rendering a sharp,
citrusy zest to the air.
We returned to
Seville that evening. Having had our fill of the Medieval and the ancient, we
turned to the contemporary: the Flying Waffle, an audaciously large
waffle-shaped parasol that was thought fit to adorn the town centre. As modern
architecture goes, this looked like one bold experiment that managed to hit the
right notes.
We bid
adios to quaint old Seville the next morning, and set out for trendy Barcelona.
Where Seville lets you gently unravel
its glorious history, Barcelona shouts out at you from its modern rooftops.
Where Seville lets you turn a corner of a winding little road to discover the
world's largest Gothic cathedral, Barcelona clamours for your attention with
its hard-to-miss monstrosities in plain sight on the busiest roads. A walk
along Ave. Diagonal is a revelation in Gaudi architecture. Gaudi's architecture is quirky,
non-conventional, and bold in a grandiose manner.
We followed up
Gaudi-tracking with a stroll in La Ramblas,
a busy street with everything from souvenirs to sushi to street performers. The
long walk was quite fascinating; only in Spain will you go from modern
architecture to noisy markets, ending abruptly with the breath-taking beauty of
a Mediterranean sunset at the waterfront. As one looks up at the Column with its Columbus figurine pointing to
the seas, one can almost sense the thirst for adventure of the seafarers of
that age… the age of daring voyages, of the many dashed hopes and of the few
elusive successes.
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